Photo 26 May 486 notes stalinistqueens:

fugaciternelle:
Carl Joseph Begas self portrait, 1820.

stalinistqueens:

fugaciternelle:

Carl Joseph Begas self portrait, 1820.

(Source: catonhottinroof)

Photo 9 May 3 notes unikaupunki:

- Giovanni Battista Moroni, The Tailor

unikaupunki:

- Giovanni Battista Moroni, The Tailor

Photo 8 May 26 notes deadsunflower:

Giorgione, Portrait of a Youth (Antonio Broccardo?), 1508-10. Oil on canvas, 73 x 54 cm. Szépmûvészeti Múzeum, Budapest.

deadsunflower:

Giorgione, Portrait of a Youth (Antonio Broccardo?), 1508-10. Oil on canvas, 73 x 54 cm. Szépmûvészeti Múzeum, Budapest.

Video 18 Apr 55 notes

roselerner:

ohlookhistory:

Joachim Murat (25 March 1767 – 13 October 1815), a charismatic, daring calvary officer whose flamboyant personal style earned him the title “the dandy king.”

Murat came from semi-humble origins, but through his own skills, and his brother-in-law Napoleon, he became Marshal of France and Grand Admiral or Admiral of France, 1st Prince Murat,  Grand Duke of Berg, and finally King of Naples from 1808 to 1815.

Murat was put to death by firing squad after failing to regain his throne from Ferdinand IV of Naples following the 100 Days, but met his death boldly: his last words were supposedly:

« Soldats ! Faites votre devoir ! Droit au cœur mais épargnez le visage. Feu ! »

“Soldiers! Do your duty! Straight to the heart but spare the face. Fire!”

“Not the face” is a much-beloved….is it a trope? No. Anyway it’s a thing I love consistently (one of my favorite jokes in the most recent Sherlock was Irene Adler’s comment that “If I had to punch that face, I’d avoid the nose and teeth too”). HOWEVER I have never seen it in the context of a firing squad before. It’s probably apocryphal but who even cares, that’s style!

Photo 17 Apr 14 notes aleyma:

Anna Claypoole Peale, Portrait of a Gentleman, 1832 (source).

aleyma:

Anna Claypoole Peale, Portrait of a Gentleman, 1832 (source).

Photo 12 Apr 2 notes fashionsuggestion:

Nicholas Hilliard, portrait of George Clifford (1558–1605), 1590.

fashionsuggestion:

Nicholas Hilliard, portrait of George Clifford (1558–1605), 1590.

Photo 12 Apr 1 note mytippetonlytulle:

Miniature of an unknown man by Nicholas Hilliard; watercolor on vellum stuck to a playing card, c.1600.
“This work beautifully illustrates the role of the miniature in the chivalrous atmosphere of dalliance and intrigue at the court of Elizabeth I, where secret gestures of allegiance could become public display depending on the whim of the wearer. Here the young man turns a picture box, the image concealed, towards his heart. This was a gesture of devotion, presumably made to the wearer of his miniature.”

mytippetonlytulle:

Miniature of an unknown man by Nicholas Hilliard; watercolor on vellum stuck to a playing card, c.1600.

“This work beautifully illustrates the role of the miniature in the chivalrous atmosphere of dalliance and intrigue at the court of Elizabeth I, where secret gestures of allegiance could become public display depending on the whim of the wearer. Here the young man turns a picture box, the image concealed, towards his heart. This was a gesture of devotion, presumably made to the wearer of his miniature.”

Photo 11 Apr 8 notes fygoogleartproject:

Bindo Altoviti (c. 1515)
Raphael
National Gallery of Art, Washington DC

fygoogleartproject:

Bindo Altoviti (c. 1515)

Raphael

National Gallery of Art, Washington DC

Photo 11 Apr 4 notes 913days:

John Donne knew a thing or two about unrequited love.

913days:

John Donne knew a thing or two about unrequited love.

Photo 11 Apr 18 notes Tell me there isn’t a hint of Rowan Atikins’ Blackadder there…
loquaciousconnoisseur:

Louis-Léopold Boilly
Portrait of the Sculptor Charles-Louis Corbet

Tell me there isn’t a hint of Rowan Atikins’ Blackadder there…

loquaciousconnoisseur:

Louis-Léopold Boilly

Portrait of the Sculptor Charles-Louis Corbet


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